|
[Ŭ·¡½Ä] ±è³ªÁ¤ ÇÇ¾Æ³ë µ¶ÁÖȸ |
|
±è³ªÁ¤ ÇÇ¾Æ³ë µ¶ÁÖȸ
Kim Na-Jung Piano Recital
ÇǾƴϽºÆ® ±è³ªÁ¤Àº ¼¿ï¿¹¼ú°íµîÇб³¿Í Çѱ¹¿¹¼úÁ¾ÇÕÇб³¸¦ Á¹¾÷ÇÑ ÈÄ µµ¹ÌÇÏ¿© Manhattan School of Music ¼®»çÇÐÀ§¿Í Àü¹® ¿¬ÁÖÀÚ °úÁ¤ µðÇ÷ÒÀ» ÃëµæÇÏ¿´À¸¸ç, University of Texas at Austin¿¡¼ ÀåÇлýÀ¸·Î ¹Ú»çÇÐÀ§¸¦ ÃëµæÇÏ¿´´Ù. \
ÀÏÂïÀÌ ±³´ë ÄáÄð 2À§, ¿ù°£À½¾Ç ÄáÄð 1À§, Çѱ¹ÀϺ¸ ÄáÄð ´ë»óÀ» ¼ö»óÇϸç ÁÖ¸ñ¹Þ±â ½ÃÀÛÇÑ ±×³à´Â ÀÌÈÄ Dora Zaslavsky Piano Concerto Competition 2À§, UT Symphony Orchestra Concerto Competition 1À§¸¦ ºñ·ÔÇÏ¿© ¹Ú»ç°úÁ¤ Áß ±× ÇØ °¡Àå ¶Ù¾î³ ¸®»çÀÌƲÀ» ¼±Á¤ÇØ ÁÖ¾îÁö´Â Best Graduate Recital Award¿Í Outstanding Doctor of Musical Arts Recital Award¸¦ µÎ Â÷·Ê¿¡ °ÉÃÄ ¼ö»óÇϸç źźÇÑ À½¾Ç¼ºÀ» ÀÔÁõÇѹ٠ÀÖ´Ù.
Çб¸ÀûÀÌ°í µ¶Ã¢ÀûÀÎ Çؼ®À¸·Î Æø³ÐÀº ·¹ÆÛÅ丮¸¦ ±¸»çÇÏ´Â ÇǾƴϽºÆ® ±è³ªÁ¤Àº ¼¿ï½ÃÇâ°ú Çù¿¬ ¹× ÀþÀºÀÌÀÇ À½¾ÇÁ¦¿¡ Ã⿬ÇÏ¿´°í, µµ¹Ì ÀÌÈÄ ¹Ì±¹ Hubbard Recital Hall, Bates Recital Hall, Jeaaen Auditorium¿¡¼ ¿©·¯ Â÷·ÊÀÇ µ¶ÁÖȸ ¹× ½Ç³»¾Ç ¿¬ÁÖ¸¦ °¡Á³À¸¸ç, UT Symphony Orchestra¿Í Çù¿¬ÇÏ´Â µî ´Ù¾çÇÑ ¹«´ë¿¡¼ È°µ¿ÇØ ¿Ô´Ù.
±¹³» ±Í±¹ ÈÄ µ¶ÁÖȸ ¹× Çö´ëÀ½¾Ç ¾Ó»óºí ¿¬ÁÖ, ¿ìÀξÆƮȦ ½´¸¸ ½Ã¸®Áî ÃÊû¿¬ÁÖ µî Æø³ÐÀº ¿¬ÁÖÈ°µ¿À» °®°í ÀÖ´Â ±×³à´Â ÇöÀç Çѱ¹¿¹¼úÁ¾ÇÕÇб³¿¡ Ãâ°ÇÏ¿© ÈÄÇÐÀ» ¾ç¼ºÇÏ°í ÀÖ´Ù.
¡á Program
R. Schumann(1810-1856)
Drei Phantasiestucke, op.111
¥°. Sehr rasch, mit leidenschaftlichem Vortrag
¥±. Ziemlich langsam
¥². Kraftig und sehr markirt
R. Schumann(1810-1856)
Humoreske, op.20
INTERMISSION
F. Chopin (1810-1849)
Sonata No.3 in b minor, op.58
¥°. Allegro maestoso
¥±. Scherzo: Molto vivace
¥². Largo
¥³. Finale: Presto non tanto
[°ø¿¬ÀϽÃ] 2010³â 7¿ù 11ÀÏ(ÀÏ) ¿ÀÈÄ 3½Ã
[°ø¿¬Àå¼Ò] ±ÝÈ£¾ÆƮȦ
[°ü¶÷·á] Àü¼® 20,000¿ø
[¹®ÀÇ] 02)581-5404
|
|
|
|
2010-06-24 |
|
|
|